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A Sense of Direction: Some Observations on the Art of Directing, by William Ball
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About the Author
William Ball (1931-1991) founded San Francisco s renowned American Conservatory Theatre (ACT) in 1965 and was its general director for many years. Beginning in the theatre as a designer, he turned to acting and appeared with regional companies and Shakespeare festivals across the country. He made his New York directorial debut with an Off Broadway production of Chekhov s Ivanov which won the Obie and Vernon Rice Drama Desk Awards for 1958. He subsequently directed at Houston s Alley Theatre; San Francisco s Actor s Workshop; Washington, D.C. s Arena Stage; San Diego s Old Globe Theatre; and staged several New York City Opera productions. His 1959 Off Broadway production of Under Milk Wood won both the Lola D Annunzio and the Outer Circle Critics Awards, and in 1962 his Six Characters in Search of an Author proved another multiple award winner and had an extended New York run. After directing at Canada s Stratford Festival, Ball returned to New York to write the libretto, with composer Lee Hoiby for an opera, Natalya Petrovna, based on A Month in the Country. In 1964 he directed Tartuffe and Homage to Shakespeare at Lincoln Center and then traveled to London to recreate his staging of Six Characters.Ball has been the recipient of a Fulbright scholarship, a Ford Foundation directorial grant, and an NBC RCA director s fellowship. Of his many productions for A.C.T., three were also directed for PBS television, includingThe Taming of the Shrew, for which he was nominated by the Television Critics Circle as best director of the year. In June 1979, Mr. Ball accepted the Antoinette Perry ( Tony ) Award voted to A.C.T. for its outstanding work in repertory performance and advanced theatre training. In the same year, Carnegie Mellon University presented him with an honorary degree as Doctor of Fine Arts. He was active as a teacher and director in ACT s training program.
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Product details
Paperback: 180 pages
Publisher: Drama Publishers/Quite Specific Media; No Edition Stated edition (October 9, 2003)
Language: English
ISBN-10: 0896760820
ISBN-13: 978-0896760820
Product Dimensions:
5.9 x 0.6 x 8.9 inches
Shipping Weight: 8.8 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
44 customer reviews
Amazon Best Sellers Rank:
#84,180 in Books (See Top 100 in Books)
I've been teaching a drama class in a middle school for several years now. We've been doing Shakespeare plays for the last 5 years. Mr. Ball's book helped enlighten me in how to approach my student actors in an extremely positive way. It changed everything we do for the better.As a result, students are freer to explore their characters without being afraid of whether they're right or wrong (and I'm more inclined to lay the heck off what I think is right or wrong!). Hence, they are empowered to be more creative, more inquisitive, and more empathetic and connected to their characters and with each other.Interestingly, although the book does not really teach the art of acting, it does give a lot of advice on how to approach the motivations of the characters, what Ball views as finding the characters' wants or desires. And that to me is the heart and essence of acting.If you supplement the ideas in Ball's book with some of the ideas from "Fundamentals of Play Directing" (of which Ball recommends a couple of chapters), and include good improvisation "games," I think you'll see some good changes in your classes too.[As an aside, I found this book (and Ball for that matter) from the work he did directing the American Conservatory Theater's production of "The Taming of the Shrew," a 1976 production on DVD that you can buy here on Amazon. That production really helped in understanding how to stage our own production of the same play.]
I purchased this book as a requirement for a theatre class, and was -at first-a bit put off by the approach. I jokingly told my professor that the author obviously drank the "hippie-Koolaid." Lots of stuff about "[sharing your inner truth and light]", etc. :)That being said, this book is really outstanding. There is a lot of extremely practical, solid advice in there to benefit anyone learning about directing or hoping to direct a performance. A pleasant surprise and absolutely worth the purchase.
This book was recommended to me by one of my mentors who is a fantastic director. This is a really great book for anyone new to directing stage plays or is already a director of the stage. Very clear, concise and helpful. A fantastic guide, very interesting and easy to read, it's so interesting you'll want to read the entire book in one sitting. Prepare to highlight and mark on all the pages as you learn great bits of information.
Mr. William Ball, the former artistic director and founder of The American Conservatory Theatre in San Fransisco, boils down almost forty years of teaching, acting and directing experience into possibly the most effective,educational and practical document about directing. I shudder to use the word text book as that term implies dry academia- an approach which leads to the the death of the theatre- but really this book is indespensable to any theatre director. Ball lays out in a logical, simple and jargon free manner the nuts and bolts of building a balanced right and left brained community which has complete and utter access to the creative impulse. Everything in Ball's book is transferable, practical (sorry about using that term again but it is true)and impeccably rendered. For any theatre director, I strongly suggest purchasing this book as the foundation of any library. Five out of five stars.
Wm. Ball was a genius. His book is a classic that should be read by anyone professing to be a theater director. His table work should be helpful to all.
This book is an amazing gift for any director or actor in your life. I gained so much valuable information from this book, both as an established actor, and a hopeful director.
Bell lays down his teaching style and philosophy in a clearly understandable manner.His directing method is one in which the director provides an environment of respect for the actor opposed to animosity, very similar to Sidney Lumet's philosophy in "Making Movies" which is film centric instead of theater centric as Bell's book is.Good study and reference book for actors, directors, and directing actors.
My directing bible. So sad he left this world too soon.
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